September, Friday 20, 2024

Youth Orchestra of Antigua and Barbuda: Empowering through Music


bUlYDqaK0gUSZtt.png

The modest office overlooking the Sir Vivian Richards stadium in Antigua and Barbuda serves as a rehearsal room for the country's Youth Symphony Orchestra. Despite the questionable acoustics, the young musicians in the orchestra are enthusiastic and determined. Most of these teenagers had no prior experience with classical instruments before joining the orchestra. However, they have been practicing diligently to prepare for an upcoming performance in London alongside the Royal Philharmonic. The orchestra was formed seven years ago with the support of the Kanneh-Mason family, who have Antiguan heritage. Orlando Gordon, a 17-year-old trombone player, was inspired to join the orchestra after seeing one of their early performances. He chose the trombone without knowing much about it and quickly became skilled with the instrument. Orlando considers the orchestra a place for genuine teenage fun and a learning environment where everyone is welcome regardless of their musical abilities. Emily James, a 15-year-old violinist, also benefits from being part of the orchestra. The rigorous practice and attention to detail have improved her academic performance, especially in subjects like math. Emily had an interest in classical music even before joining the orchestra, often tuning into YouTube videos to enhance her studies. She acknowledges the violin's difficulty but finds immense joy in performing with her friends and creating beautiful music together. The orchestra's founders, Emily and Orlando, are considered successful examples of the positive impact of the orchestra. The involvement of Sheku Kanneh-Mason, a cellist with Antiguan roots, was crucial in catalyzing the formation of the orchestra. The country's High Commissioner to the UK, Karen Mae-Hill, invited Sheku and his family to assess the local interest in establishing an orchestra, and the response was overwhelmingly positive. Despite the challenges faced by the tiny island nation, including limited technical abilities and difficulties finding teachers, the orchestra managed to form partnerships with charitable organizations that provided instruments, tutors, and mentors. The orchestra's ethos emphasizes accessibility for all, with the only requirement being self-discipline. Youngsters with no means of transportation are even picked up from their homes to attend rehearsals. The orchestra has also started working with international mentors online to reduce reliance on overseas assistance. The goal is to one day establish a conservatoire in Antigua and Barbuda, expanding the nation's cultural offerings beyond its renowned beaches. Claudine Benjamin, the orchestra's chief operating officer, is optimistic about the talent and potential of the country's young musicians. She dreams of organizing an annual music festival to showcase their abilities. The orchestra will have the opportunity to perform alongside the Royal Philharmonic in London, giving the young musicians an unforgettable experience and a chance to learn from and collaborate with renowned musicians. Claudine hopes that Antigua and Barbuda will be recognized as a nation with great musical talent and aspirations, rather than merely receiving charity applause.